That would seem to be the message we are intended to take away from the film, however this is contradicted by the fact that our protagonist uses this power and it works. Alternatively, the films message could be interpreted as: Nobody should weild this power, but sometimes it’s necessary to stop someone who “wants to watch the world burn”.

But… I’m not seeing the cryoto-fascist part. You’re going to have to explain that one.

Comes from the Dark Knight trilogy. The Patriot Act is used to catch the Joker, and Bane is a vilified Occupy Wall Street.

Pretty much every Nolan film, with the disclosure that I stopped watching his movies after Inception. His films are always well-acted and well-produced, but the scripts are just… dumb? They take themselves way too seriously and carry this air of highbrow intellectualism while being riddled with plot holes and contrivances. Not to mention the crypto-fascist messaging.

He’s like Zack Snyder, but he pulls it off well enough that critics buy into it. It drives me crazy when I see his name mentioned alongside great auteur filmmakers like Kubrick and Scorsese.

Dream set idea: Huge 1701-D set.

Though not to scale, can be opened to reveal three interior decks. Top deck contains the Bridge, Picard’s Ready Room, and the Conference Room. Middle deck contains 10-forward, Sickbay, and a Crew Quarters with a Poker Table. Lower deck contains Main Engineering and a Transporter room.

Minifigs of the Bridge Crew, Guinen, Barclay, Wesley, Ro, Ogawa, O’Brian, Keiko, and a handful of misc crewmen. Throw in Spot and a Judge Q too.

I’ll believe it when I see it. That said, I’d be willing to shell out for a Rivendell size and quality 1701-D or DS9

Your lizard brain is wired to avoid death, but non-existence shouldn’t be scary. You’ve already done it for possibly an infinite amount of time.

I don’t want to overstate this, but some liberation can come from within.

Yeah, we all have to play their game, but internalizing the values our sick society places on us is optional. Make peace with the things you alone cannot immediately change. Resist in the small ways you are able, find joy where you can, and do what you can for the people you care about. Free your mind and your ass will follow.

Dread it. Run from it. Witcher 4 with playable CIri still arrives.

Many misconceptions about the medieval period stem from the fact that the average person doesn’t even know when the medieval period was. To most laypeople, the entire span of time between the fall of Western Rome and the Industrial Era is considered “medieval.” This is an incredibly broad stretch of history that can actually be divided into two distinct eras. The latter of these eras—spanning from the late 15th to the early 19th centuries, depending on the region—is often referred to colloquially as the Renaissance, the Colonial Era, or the Enlightenment. Most historians, however, use the broad term “Early Modern Era.”

Interestingly, many misconceptions about the medieval period actually originate in the Early Modern Era. For example, the famously gruesome methods of torture and execution often associated with the medieval period largely belong to the Early Modern Era. In comparison, torture and execution in the medieval period were relatively simple and practical. Similarly, in relation to the article, it was the people of the Early Modern Era—not the medieval period—who had truly questionable hygene.

There are a few key reasons why hygiene declined in the post-medieval world. The main factor was the rapid growth of urban centers, which led to nearby waterways becoming polluted with human waste. With clean water harder to obtain, people bathed less frequently. The introduction of sugar from the New World into the European diet also wreaked havoc on oral hygiene, and it took centuries for proper dental practices to develop. Finally, as the article points out, there were many widespread misconceptions about hygiene and its role in preventing disease, particularly with regard to the much-feared Black Death.

In short, William the Conqueror was likely a well-groomed man, while George Washington probably stank.

Star Trek is popular among left-wing turbonerds, aka Lemmys primary demographic. There was also a big push to join Lemmy on r/StarTrek after Reddits API controversy.

One RPG that does a really great job of circumventing this is Morrowind. Early in the story there are several natural breaks where the PC is encouraged to do side quests and immurse themselves in the world. Once the main quest gets going it starts to take precedence, but the world ending threat builds slowly at first.

Disappointed that Marina Sirtis wouldn’t interview, though I kind of get why. Her role as a woman on Trek is certainly one of the more… complicated ones.

Reposting my comment from another thread because I’m interested in spurring discussion.

Imo Bethesda is, in many ways, a victim of its own success. Morrowind and Oblivion were both solid entries that did well critically and financially, but no one was prepared for the massive impact of Skyrim. Its success transformed open-world fantasy games into a staple of AAA gaming, and the game has stayed relevant for over a decade.

However, even when it was first released, Skyrim fell short in several areas that were often overlooked due to the sheer “wow” factor of its open world. The game is plagued by bugs, many of which are game-breaking and persist even in recent re-releases. The AI is brain-dead, melee combat is clunky, and the quest design and writing often lack depth.

In the years since, the landscape of gaming has evolved. Numerous fantasy and open-world games have improved upon things that Skyrim did well, and raised the bar for what players expect from many areas where Skyrim fell short. Players today have a wealth of games to choose from and are less forgiving of these types of flaws. Starfield’s lukewarm reception reflects Bethesda’s seeming unwillingness—or inability—to update its design philosophy for a modern audience.

The expectations for The Elder Scrolls VI have become impossible for Bethesda to meet. These expectations are sky-high not only among fans but also from Bethesda’s new parent company, Microsoft. TES6 will almost certainly be a financial success, but Microsoft didn’t acquire Bethesda for just “decent” results like Starfield; they acquired the creators of Skyrim to make blockbuster hits that dominate the charts and win critical acclaim.

In the end, Bethesda knows they will never recapture the lightning-in-a-bottle success of Skyrim. So they’ll keep sitting on the IP, until Microsoft forces them to release something mediocre, and their studio joins many of the other classic RPG developers in obscurity

I mean it’s not really a hot take since it’s been the consensus among long-time TES fans since 2006. Shivering Isles is the only good lore/story contribution TES has had without Kirkbrides involvement, and even that was basically just trying to Mantle his style from Morrowind.

I have not but I’ll have to check it out. William Shatner and Leonard Nimoy being time travellers from the future would certainly be a twist!

This is an idea I ran by a fellow Trekkie awhile ago. An “Ed Wood” like movie about the behind the scenes of TOS. Satirize it from a place of love, focus on the drama between the cast and the antagonism between the studio and Gene. Quality movie material!