• 0 Posts
  • 25 Comments
Joined 1 year ago
cake
Cake day: July 2nd, 2023

help-circle

  • What I’m getting from reading these responses is that exercise can alleviate some of the crushing effects of depression, but because it’s difficult and time consuming, you’ll need a better reason for it than just “I’m suppose to” otherwise you’ll just be making your life harder and creating an unhealthy relationship with exercise.

    Everybody has to fight through the first few months to genuinely create a good workout habit, but if you start small (such as a 20 minute walk 3-4 days a week), you’ll be able to ease into the really good stuff without so much hardship. The plan is to be working out for life, so what’s the rush?

    I believe the army created negative associations in me about exercise, since they used it as punishment and I always had the anxiety of my next PT test hanging over my head. It took a few years to disentangle myself from those connections and begin working out the way I wanted to and really seeing the results I was looking for. Now, after ~5 years of very frequent exercise, I’m finally getting to the point where I feel like it’s a net positive to my mental health.


  • You could certainly make the argument that reddit / Lemmy and anything similar is social media, but the anonymity means you aren’t seeing or competing with people you know.

    Idk, maybe I’m just coping, but I’ve never felt the need to do anything performative for the masses of internet strangers - unlike some friends of mine who studiously document anything fun we do for the ever important task of impressing people on Instagram.

    Whenever the negative effects of social media come up, it tends to be about people comparing their “boring” lives with the carefully crafted veneer of other people’s lives they see on social media. That doesn’t happen (as much) when you don’t use your identity and you don’t know anybody else on the platform.













  • I’m used to the army, when I’m packing for field stuff, I know that no matter how much I pack for luxury my kit and equipment will still be 80% of the load minimum. Would I rather hump 80 lbs 20 miles and have a miserable night, or hump 85 lbs and have hot coffee and a single person tent I can jerk off comfortably in? Easy choice for me.

    When I go hiking with my family I pretty much just carry emergency supplies and the liquor stash, knowing we’ll be back to the tents by nightfall.

    Long and short, you remove weapons armor and ammo from the picture and it’s a lot more impactful to play with the weight. Shaving 5 lbs off a 20 lbs load can let you go 5 more miles when it’s for leisure.



  • My take on why this doesn’t work RAW is there’s a time that states “specific beats general”

    When you use a crossbow as a melee weapon, it specifically belongs an improvised melee weapon for the attack, which trumps the general rule that a crossbow is ranged weapon.

    I would even go so far as to say that means it doesn’t qualify for GWM either.


  • I’m pretty specifically trying to bring to mind the time it takes to hone the skill. Photography is similar in that it takes many many hours to get to the point where you can produce a good work of art.

    If an artist (or photographer) spends a couple hours on a peice, that’s not the actual amount of time needed. It takes years to reach the point where they can make art in a few hours. That’s what people are upset about, that’s why nobody cares about “it took me hours to generate a good peice!”, because it takes an artist 10,000 hours.

    What AI art is doing is distilling that 10,000 hours (per artist) into a training set of 99% stolen works to allow someone with zero skill to produce a work of art in a few hours.

    What’s most problematic isn’t who the copyright of the AI generated age belongs to, it’s that artists who own their own works are having it stolen to be used in a commercial product. Go to any AI image generator, and you’ll see “premium” options you can pay for. That product, that option to pay, only exists on the backs of artists who did not give licensing for their works, and did not get paid to provide the training data.